On the 11th of January I travelled to London to participate in this year's National Youth Theatre Audition Workshop. The National Youth Theatre (NYT) of Great Britain is a prestigious organisation based on Holloway Road that has launched the careers of many celebrated actors, including Helen Mirren, Chiwetel Ejiofor, and Daniel Craig. Auditioning for NYT is an exciting opportunity to showcase your talent and join a community of passionate creatives. However, as I discovered, competition is fierce, and preparation is key. Here are some tips to help you shine during your audition, as well as my response to the process.
Understand What NYT Is Looking For
NYT values creativity, collaboration, and authenticity. They want to see actors who are passionate about their craft, have the potential to grow, and can work well in a team. While talent is essential, they are also looking for unique perspectives and a willingness to take risks in your performance. They want to feel the energy that you bring to the rehearsal space - nobody wants to work with someone who drains the camp; be energetic, passionate, and talkative.
For example, I made it my mission to talk to people as soon as I entered the building, that way I would quench my anxiety, assert myself in the space, and ultimately improve my performance by being relaxed. The workshop director, Patrick, told me during my audition that I looked comfortable, and he also thanked me for making everyone laugh. This is my best advice for actors who are auditioning for the National Youth Theatre - have fun! If you're having fun, then chances are so are the assessors. It's a long process and they see a lot of people - make sure that you're remembered.
Choosing the Right Audition
Until last November I didn't realise that NYT offered in-person audition workshops, and I was dreading doing a self-tape (it's a skill I'm yet to have mastered.) But others may disagree with me and prefer to have the time to reflect on their performances (as a self-tape allows) before submitting them. Let's unpack the perks and drawbacks of both:
Self-Tape vs. In-Person Auditions
Auditioning for NYT may involve submitting a self-tape or attending an in-person workshop. Each option has its perks and drawbacks, and understanding these can help you make the most of your opportunity.
Self-Tape Auditions
Perks
Flexibility: You can record your audition at a time that suits you, allowing for multiple takes until you’re satisfied.
Control: You have the freedom to perfect your lighting, sound, and framing, presenting yourself in the best possible way.
Convenience: No need to travel, saving time and money.
Drawbacks
Limited Interaction: You miss out on face-to-face feedback and the chance to demonstrate your ability to collaborate in a workshop setting.
Technical Challenges: Poor video or sound quality can detract from your performance if not carefully managed.
No Immediate Adjustment: Unlike in-person auditions, there’s no opportunity to adapt your performance based on real-time feedback from the panel.
In-Person Workshop Auditions
Perks
Direct Engagement: You can interact with the panel and other participants, showcasing your teamwork and adaptability. You will also meet an exciting array of characters and may forge friendships for life - it's all about networking.
Immersive Experience: The workshop format allows you to demonstrate more than just your monologue, such as your ability to take direction and contribute to group exercises.
Immediate Feedback: Panels can offer direct guidance or adjustments, giving you a chance to refine your performance on the spot.
Drawbacks
Pressure: Performing live can be nerve-wracking, with no second chances for retakes.
Logistics: Travel and scheduling can be challenging and potentially costly.
Energy Levels: A workshop can be physically and mentally demanding, especially if you’re juggling other commitments.
Choose the Right Monologue
What Makes a Good Monologue?
Pick a monologue that resonates with you and showcases your range as an actor. NYT advises choosing something that you connect with emotionally and can perform with sincerity. Avoid overly popular pieces or ones that are too dramatic unless you can bring a fresh perspective. A good monologue should also display a journey - the character should not be the same by the end as at the beginning.
Contemporary vs. Classical
While you can choose either, contemporary monologues often allow for a more naturalistic performance and can make it easier for the panel to connect with your interpretation. If you do opt for a classical piece, ensure you understand the language and context to deliver it convincingly.
I performed a classical monologue from Act 2 Scene 5 of Ben Jonson's The Devil is an Ass, a comedy. I had worked on it with my retired lecturer, Michael Cordner, on his Shakespeare's Rivals project, and so I knew the meaning of the language and the journey of the monologue very well. This monologue allowed me to demonstrate the difficult skill of commanding verse (which I was commended on), as well as the all important "change".
The monologue features Pug, the Devil's minion who has been sent to Earth as the servant of Fitzdottrell. The monologue is the aftermath of a beating that master Fitzdottrell has inflicted on poor Pug for trying to seduce his wife. The monologue explores Pug's frustrations at his masters (including the Devil) and his overthinking of the interaction with Fitzdottrell's wife, who he is certain entertained his advances. Pug, therefore, begins wounded and ends optimistic.
Preparation Is Key
Know Your Monologue Inside Out
Memorise your monologue thoroughly. Understand your character’s motivations, emotions, and backstory. Practice performing it in different ways to demonstrate flexibility and adaptability.
Rehearse, But Don’t Overdo It
Rehearse enough to feel confident but avoid over-rehearsing to the point where your performance feels mechanical. Keep it fresh and responsive to the moment.
Take Feedback On Board
If you have access to a drama teacher, coach, or trusted peer, ask for their feedback and incorporate their suggestions. They may spot areas for improvement that you’ve overlooked.
Always respond to feedback as it showcases your ability to engage with directors, as well as your adaptability. For example, I originally performed my monologue very physically: I ignored the chair that I was given and filled the space with gesture and movement. Their redirection was to have me sit and do a more naturalistic, grounded performance. I found this challenging, but it completely altered my performance. It doesn't mean I was wrong with my initial approach, it just opened me to new possibilities.
On the Day of the Audition
Warm Up
Arrive early and spend time warming up your body and voice. Simple breathing exercises, stretches, and vocal exercises can help calm your nerves and prepare you physically and mentally.
Dress Comfortably
Wear comfortable clothing that allows freedom of movement. Avoid costumes or overly elaborate outfits; the focus should be on your performance.
Be Open and Responsive
NYT auditions often include workshops or group exercises. Show your ability to collaborate, listen, and adapt. This is as important as your individual performance.
Embrace Your Nerves
It’s normal to feel nervous. Use that energy to fuel your performance rather than letting it overwhelm you. Take deep breaths and focus on being present.
What Happens If You’re Successful?
If you’re offered a place, you’ll join NYT’s intake courses, where you’ll work with professional directors, participate in high-quality training, and collaborate with fellow young actors. This is a fantastic opportunity to grow as an artist and build industry connections.
Don’t Be Discouraged If You Don’t Get In
Many actors audition multiple times before being accepted. Use the experience as a learning opportunity. Reflect on what went well and what could be improved, and apply those lessons to future auditions. Show the panel that you are willing to learn, and they will see your potential.
Final Thoughts
Auditioning for the National Youth Theatre of Great Britain is a unique and rewarding experience, whether or not you gain a place. The key is to prepare thoroughly, stay authentic, and embrace the process as an opportunity to grow. Break a leg!
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